There are a lot of major events that happened in the 80’s that would solidify the hip-hop culture right up to the present day. DJ Kool Herc’s legendary bloc parties, Kool Moe Dee’s first battle against Busy Bee Starski, the feud between the Bronx and Queensbridge that would define ‘beef’ forever after; this is a rich time in the culture’s history. But one story that keeps being overlooked, except when strictly looking at the history of rap beefs, is that of Roxanne Shanté. Making a name for herself as a battle rapper at just 9 years old, her part in what would be called ‘the Roxanne Wars’ was a defining moment for the genre, one that made it loud and clear that this rapping thing wasn’t just for the boys.
However, in the words of another cornerstone of the culture,
this is bigger than hip-hop. Shanté’s musical exploits only play a relatively
minor part of the overall story, as this film looks more at Shanté as a person
than as a musician. And the depiction we get makes for hard viewing, showing
her upbringing in the Queensbridge projects as very touch-and-go. Her
preternatural skills as a hustler are shown to be a matter of necessity, doing
rap battles and shoplifting just to provide for her mother and sisters. Because
of this, her work in music, in particular the ‘Roxanne’s Revenge’ track that
put her on the map, is treated as a means to an end; she got into rapping for
the same reason as a lot of people in the culture’s history, both past and
present. It’s a way out of the trap of street life.
Of course, when she does start getting big, we essentially
get a microcosm of what a lot of female rappers have to contend with: Male
gaze. Watching those around her telling her to play along with the advances of
her fans, repeating the lyric “Roxanne, Roxanne, let me be your man” from the song Roxanne responded to and blew up the scene, it’s hard
not to connect this to a lot of female MCs after her that would have to play
the same game for recognition. Rappers like Lil’ Kim, Nicki Minaj, even Cardi B
to a certain extent; they may be making their mark as women in a
testosterone-fuelled genre, but they’re still expected to placate men.
More so than a strictly-hip-hop biopic, this serves as a
more personal look at the life and struggles of one of hip-hop’s most
underrated legends, showing her to be far more than just someone who can rap
their ass off. It’s a solid flick, with a lot of good performances and a pretty
slick soundtrack with original music from the RZA, and one worth checking out
for those with an interest in the culture. Or if you just want a film about a
real-life person whose story deserves to be heard.
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