Transferring media born from one culture to the tastes of
another requires more than simple copy-and-pasting. In order to make it
convincing that there is a reason why a particular story is being reframed and
reshipped to different territories, sometimes changes need to be made. It can
involve relatively minor changes, like replacing some of the aspects of
Watchmen, or it can be a lot more thorough, like the complete political shifts
in V For Vendetta. This film, closing out today’s triumvirate of live-action
anime adaptations, is a South Korean take on a piece of Japanese animated
cinema. The results are… mixed.
The original was a piece of alternate history fiction,
taking place in post-World War II Japan where Germany had until recently
occupied the country. It drew on real-life tensions regarding the fallout from
the United States occupation of Japan to tell its story about terrorism,
peacekeepers and whether one truly justified the actions of the other. This one
is instead set in near-future Korea, where North and South Korea have
reluctantly united in the wake of China’s attempts to claim global power.
Admittedly, it doesn’t need to be set in the future as the idea of a reunified
Korea is already wildly fantastical as is, but in that switch, the story has
become the conflict between the government and the Sect, who are against said
unification.
It’s an interesting idea, one that definitely draws from
some modern-day political notions, but it ultimately doesn’t work as well as it
could. Partly because the change in scenery doesn’t carry the same
politically-nuanced air to it, but mainly because this isn’t so much a thriller
as it is an action drama. The biggest change made here is the increase in
action scenes, and while they are quite well made and presented, they end up
making the convoluted plot feel like an excuse just to string them together.
That is a pretty neat trick, making the audience question the aspect of the
film that existed before the one that made it seem out-of-place, but not one
that comes to the film’s aid.
In fairness, the original isn’t exactly a flawless work, as
its aspirations as historical commentary end up sabotaged by the rather
crushing pace. And the action scenes definitely help with that here, but
ultimately, the changes made from the original end up robbing this iteration of
some of that version’s most powerful notions. Variety is a good thing, but not
if it means less of what the people might actually want.
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