Oh goody, another bloody Die Hard clone. After what happened
last time with Skyscraper, not to mention how listless so many of the others
have been like Paul Blart: Mall Cop 2, I should be outright dreading this.
There’s only so many ways to do this story properly, and it seems like no-one
working today has found any of them.
Or I would be
saying that, were it not for the fact that this latest effort was courtesy of
Point Grey Pictures, a studio I have come to rely on for some genuinely good
comedy. From The Disaster Artist to the Bad Neighbours films, even Blockers
from earlier this year, Seth Rogen and Evan Goldberg sure do know how to back
the right productions. And quite honestly, this follows in that pattern.
Of course, between revenge best served with random dude’s
ass, a robo-zombie windmill and a seriously fun villain, dull moments are in
short supply here. Yeah, on top of everything else, this film is graphic as
fuck, with enough blood spray to fill a Yoshihiro Nishimura wet dream and
enough male full-frontal to make the surprisingly prominent gay pride moments
ring true. It’s amazingly over-the-top in a lot of respects, and while certain
elements like Steve Jablonsky’s soundtrack and the main trio’s methodology are
reminiscent of video games, this manages to hit that same note of all-out
digital assault that made Hardcore Henry so damn fun.
Sure, I could be spending more time discussing those
aforementioned gay pride moments, or the bromance writ large in the story, or
the occasional jabs at Instagram culture, or even point out that this has not
one but two of Point Grey’s finest
licensed music picks to date. But that really isn’t necessary here because this
film is just that much fun all on its own. I was genuinely worried about this
one, between its mediocre reception elsewhere and it still being yet another
Die Hard clone, but Point Grey have done it again and pulled through with a fun
piece of cinema.
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