Time for something with a bit more personal investment to it
than the last review. Fullmetal Alchemist, in no uncertain terms, is one of the
best anime series ever. Its characters, its incredibly dark and complex themes
about life and death, its airtight pacing and yet incredible variety; it is a
true-blue classic. It has had film iterations before, primarily the two
connected to the two FMA series (the original and Brotherhood, which actually
went in quite different directions due to their different connections to the
manga), but this is the first attempt at a live-action adaptation. However,
this is a wholly different beast to what we got with Bleach, for both good and
bad reasons.
However, because it’s all been condensed to fit the timeline, the
impact of each moment feels sapped. It still hits where it needs to, but
there’s a definite vibe that it isn’t hitting as hard as it should.
To give a specific (yet as non-spoilery as possible)
example, this film adapts the chimera subplot. Those who have seen the source
material know what I’m talking about, but for the uninitiated, I’ll just say
that that subplot has gone down in history as one of the most depressing moments
in the entirety of Japanese animation. Now, again, it is handled well here, but
the reduced interaction with the characters involved means that what should be
bone-chilling dread just comes across as mere melancholy.
That is basically the pattern for a lot of this: Because of
the reduced time spent with the characters, there isn’t as much immediate
investment in them, meaning that what happens to them isn’t as engaging. The acting and costume
design for the characters are all pretty spot-on, but this is just a side
effect of the deterioration going from a long-form series to a much shorter
singular feature.
Which kind of sucks because what makes Fullmetal Alchemist
is so damn good at its core, the philosophical approach to body horror, is very
much intact. I can complain about the lessened running time and its resulting
effects all day, but even that isn’t
enough to make these themes fail to resonate. The existential ennui of Alphonse
being a child trapped in a suit of armour, Edward’s quest to restore him to his
human form, the painful revelations about how far people are willing to go to
control life and death; the details are still iffy, but the emotional drive
behind them still works.
The poignancy, even in something this ultimately rushed,
still rings through. Don’t know whether that says more about the source
material than it does the attempts to adapt it here, but for what it’s worth,
this is a decent sit. Of course, the first anime series is also on Netflix, so
going from amazing to decent when said amazing version is just as readily
available, that simply isn’t good enough.
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