Spoiler alert: It’s the former. In fact, this is actually one of the strongest family films I’ve seen all year, on Netflix or otherwise. The animation is still of the highly bouncy variety, but its use in detailing the very robot-obsessed setting of Grainland looks quite appealing. The designs for the Q-Bots that populate a lot of the scenery look like something that people would actually buy into, and their mannerisms are on point too, even when they’re being not-so-Three-Laws like when they help a bully beat up the lead character Mai.
And speaking of Mai, Charlyne Yi’s performance for that rare
rebellious teen character that isn’t grating to watch. The riot grrrl
soundtrack backing her definitely helps with that, but in her initial bonding
scenes with John Krasinski’s 7723, it hits mischievous in a pretty gratifying
way. They don’t even go full-force into 7723 being the unwitting accomplice in
what’s going on, given his character arc involving memories and knowing when to
fight that makes for seriously cool scenes. I mean, it’s already cool watching
him slice robots in half, but it means even more when it becomes clear what he
had to do to get to that point.
The fact that 7723 is as sympathetic as he is is somewhat
surprising, given this film’s overall view on robotics. It takes a definite I,
Robot tone in how it shows the ubiquity of technology as humanity letting the
enemy into their own homes, and numerous bits of dialogue throughout make this
look like a natural progression of our current iGeneration. There’s a bit of a
teething problem with balancing out the commentary on technology with 7723’s
character… until all the pieces slide into place. 7723, someone who cherishes
his memories so much that he’s willing to leave himself vulnerable to keep them
intact, who considers those memories to be makes him who he is. Makes sense
that the one good robot here would be the one who is the most human.
No comments:
Post a Comment