Why do films need to be remade? Well, for the most part, they don’t. It’s largely done either to cash-in on the memorability of the original, or to further the idea that watching foreign films with subtitles is too much to ask of an average filmgoer (because nothing says ‘we respect our audience’ more than assuming they don’t know how to read), and even before they became so ridiculously ubiquitous in the modern era, this is a framework that has been around in the mainstream for decades. But then there are the rare examples of films with a purpose in reviving an older production, one that might highlight the poignancy of the original still ringing true in a different time, a different culture, a different context. And in the case of this recent Aussie effort, it might be one of the most necessary in our history.
