Showing posts with label danny boyle. Show all posts
Showing posts with label danny boyle. Show all posts

Sunday, 21 July 2019

Yesterday (2019) - Movie Review



On the surface, this looks like an ideal match-up. A high-concept comedy built around the music of one of the greatest bands in human history, directed by hyperrealist Danny Boyle and written by British comedy legend Richard Curtis. Putting two creative minds together in a project that fits snugly into both of their comfort zones isn’t something that comes about that often, and considering how much I’ve lauded both of their works in the past, this has got to be an explosive piece of cinema. Well, make no mistake, it is certainly that, but it comes with certain… drawbacks.

Monday, 9 April 2018

Top 100 Favourite Films: #80-71


#80: Trainspotting – The use of drugs and people


There are a lot of users out there. People whose only real drive is to get that next fix, that hit that can help them escape their surroundings, if only for a little while.

Thursday, 9 March 2017

T2: Trainspotting (2017) - Movie Review



1997’s Trainspotting, directed by the previously-lauded Danny Boyle, is one of my all-time favourite films. As much as a retooling of A Clockwork Orange as it is a bladed lower-middle class answer to it, it is a pitch-black comedic look at addiction, what it means to be a junkie and how “getting a fix” extends to using people as much as your chosen drug. Through its incredible acting and acknowledgement of the misanthropic tendencies of its main characters, it stands as one of the greatest drug films ever made. The fact that it put both Boyle and lead actor Ewan McGregor on the map is laudable but barely a footnote in comparison to how enthralling it is on its own. You better believe, even knowing what happened with Boyle and writer John Hodge’s last 90’s throwback collaboration, that I was eagerly anticipating this follow-up. With how my scepticism never wanes even in the presence of promising works, let’s see how well this decades-removed continuation turned out.

Sunday, 7 February 2016

Steve Jobs (2016) - Movie Review



I hate Apple. That’s probably a statement that is both echoed frequently and also usually done as a means of drawing aggro, but I stand by it: I hate Apple. And yes, as I type this, I am also checking my emails on my iPhone, so trust me when I say that I understand the hypocrisy that can come with such a statement. From their addition to the effort of homogenizing the entire world, rivalling Starbucks in their ubiquity, to just the sheer audacity of their business model that ultimately only serves to fatten wallets and landfills in equal measure and velocity. But, that’s not to say that I’m going to let any of this filter my opinion of today’s film. I just want to reiterate a point I made back in Citizenfour, where hatred for the original subject shouldn’t translate to insta-hate on part of the film. I may have a real issue with the company that hipsters rally under like beige Lemmings, but I have enough faith in director Danny Boyle and writing legend Aaron Sorkin to portray one of its key figures in a compelling enough fashion. This is Steve Jobs.

Thursday, 28 January 2016

Trance (2013) - Movie Review



It’s time to continue to put further effort into these reviews than is really advisable as I look back into another director’s work who has a new release coming out soon. This time around, it’s Danny Boyle, a man is kind of frustratingly difficult to pin down in terms of an overall style. He has a very kitchen sink approach to his craft, something usually reserved for filmmakers on substantially tinier budgets: If it looks cool, use it! Not to say that he doesn’t come up with some amazing visual ideas for his films, like the absolute grime of Trainspotting, the video camera stock that almost looks like a TV news reel in 28 Days Later or even the hectic video game aesthetic adopted for certain scenes in The Beach. It’s just that the man just has so many ideas for how to present a story on film that it’s hard to pin down if he's a true original or just derivative; he’s like Ant from Atmosphere. Still, considering this is the same guy who gave us not only one of the best zombie films of all time but also easily one of the better Christian-oriented films with Millions, you’re usually gonna get quality work from the guy. Usually.