Showing posts with label rosario dawson. Show all posts
Showing posts with label rosario dawson. Show all posts

Friday, 9 December 2022

Clerks III (2022) - Movie Review


 

Much as he did with Jay & Silent Bob Reboot a few years ago, Clerks III has Kevin Smith returning to the good ol’ days with a threequel to the film that started it all. And somehow, we’ve gone even more meta than Reboot, as this sequel to Clerks is… well, about making the movie Clerks.

Thursday, 20 April 2017

The LEGO Batman Movie (2017) - Movie Review


Even though it’s only a little over three years old now, it is quite possible to understate the impact that The LEGO Movie had when it first came out. Aside from being one of the two biggest surprises of 2014, the other being Guardians Of The Galaxy, it also latched directly onto the audience mindset like very few films before it have managed. Starting out as a project where audiences had no real idea what the film would even be like, it resulted in an incredibly astute satire of the Hollywood blockbuster formula as well as being a very entertaining action-adventure in its own right, complete with an acknowledgement of the creativity that made LEGO the household name that it is.
 
Me personally, while I did enjoy it immensely, I was somewhat off-put by the quite literal and jarringly realistic turn it took during the final reel which ended up souring it a bit for me overall. Naturally, when news hit of a spin-off film coming out, this time helmed by LEGO Movie head animator and Adult Swim legend Chris McKay, all the petty misgivings in the world couldn’t stop me from watching it. Computer batteries to power, keyboard to speed.

Thursday, 28 January 2016

Trance (2013) - Movie Review



It’s time to continue to put further effort into these reviews than is really advisable as I look back into another director’s work who has a new release coming out soon. This time around, it’s Danny Boyle, a man is kind of frustratingly difficult to pin down in terms of an overall style. He has a very kitchen sink approach to his craft, something usually reserved for filmmakers on substantially tinier budgets: If it looks cool, use it! Not to say that he doesn’t come up with some amazing visual ideas for his films, like the absolute grime of Trainspotting, the video camera stock that almost looks like a TV news reel in 28 Days Later or even the hectic video game aesthetic adopted for certain scenes in The Beach. It’s just that the man just has so many ideas for how to present a story on film that it’s hard to pin down if he's a true original or just derivative; he’s like Ant from Atmosphere. Still, considering this is the same guy who gave us not only one of the best zombie films of all time but also easily one of the better Christian-oriented films with Millions, you’re usually gonna get quality work from the guy. Usually.

Thursday, 9 April 2015

Tinker Bell And The Legend Of The NeverBeast (2015) - Movie Review


It’s times like this when I’m really glad that the critical bug bit me at such an early age, because seeing these kind of movies on my own is a risky enough prospect as is. If I were to still be watching these movies well into my 30’s or even my 20’s, chances are I’d end up on some sort of government watch list before too long. Then again, as a person who has a form of opinion on the Internet, I’m assuming that I’m on several of those already. I actually saw last year’s entry in the Tinker Bell franchise as well with The Pirate Fairy; despite my understandable apprehension about the thing, I thought it was a nice little movie, if pretty forgettable. Didn’t hurt that it blind-sided me a bit as a prequel to the original Peter Pan, but nevertheless it was an okay watch. I can only hope that this one is on the same level.


Saturday, 21 March 2015

Top Five (2015) - Movie Review


As a means to prove that comedy isn’t exactly equal across all fields, not every comedian that branches out into becoming an actor succeeds. I mean, for every Robin Williams who manages to not only succeed but succeed beyond the realm of comedic works, we get a Larry The Cable Guy who manages to make people miss their already lame stand-up with the cesspool-quality acting they bring to the big screen. Not to say that the best stand-up comedians are immune from making crap; as much as I love Robin Williams’ great films, he made his fair share of bombs back in the day. So, when news hit that Chris Rock, someone who fits nicely in my top five favourite stand-ups and who has a pretty shaky filmography himself, was releasing another film that he directed and also wrote on his own, I can be forgiven for being a bit worried. Time to see how it actually turned out.