Showing posts with label dominic cooper. Show all posts
Showing posts with label dominic cooper. Show all posts

Saturday, 7 November 2015

Miss You Already (2015) - Movie Review



My past reviews of films featuring Kristen Stewart have made running jokes out of this, but in all honesty it’s a really good thing that the stars of former record-holder for Biggest Godwin’s Law Breaker, Twilight, have moved past that famed series. Anna Kendrick has become an accomplished actor/singer thanks to films like Pitch Perfect and Into The Woods, Robert Pattinson has done acclaimed work with visionaries like David Cronenberg, and Kristen Stewart has come to seriously impress crowds thanks to films like Camp X-Ray, Still Alice and American Ultra. Not only that, regular writer of the series Melissa Rosenberg has entered into the Marvel Cinematic fold with the web series Jessica Jones and Stephanie Meyer… has largely gone quiet and rested on her franchise royalties, thank all things right with the world.

[whispering from behind me, even though this is a text review and not in any way audio/visual where this could be properly conveyed]

Wait, she wrote what?

[more inaudible whispering]

Oh, for crying out loud!

Well, point is, for the most part, they’ve largely moved on from that crater of a saga. But what about the original film’s director Catherine Hardwicke?


Tuesday, 2 December 2014

Need For Speed (2014) - Movie Review


Even with Hollywood as it is today, reaching for anything and everything to turn into the next big blockbuster, there is still a major stigma attached to one source material for adaptations: Video games. Maybe it’s because of the inherent nature of games to be less about the plot and more about the interactive experience, maybe it’s because the majority of video game movies are absolute garbage (with the exceptions of the original Mortal Kombat, Prince Of Persia and maybe Hitman), or maybe it’s both. Regardless, there is a heavy expectation whenever one is released that it will be bad, made even heavier if the source material is less focused on plot than its neighbours. Today’s film is just such an occasion.