The plot: A priest (Jeff Bridges), a singer (Cynthia Erivo), a salesman (Jon Hamm) and a hippie (Dakota Johnson) all show up at the El Royale, a hotel that rests on the middle of the state border between California and Nevada. As they make themselves at home, under the attentive eye of concierge Miles (Lewis Pullman), the secrets and lies that brought them to this establishment begin to surface, and despite outward appearances, it seems like no one's hands are clean.
Showing posts with label drew goddard. Show all posts
Showing posts with label drew goddard. Show all posts
Tuesday, 16 October 2018
Bad Times At The El Royale (2018) - Movie Review
The plot: A priest (Jeff Bridges), a singer (Cynthia Erivo), a salesman (Jon Hamm) and a hippie (Dakota Johnson) all show up at the El Royale, a hotel that rests on the middle of the state border between California and Nevada. As they make themselves at home, under the attentive eye of concierge Miles (Lewis Pullman), the secrets and lies that brought them to this establishment begin to surface, and despite outward appearances, it seems like no one's hands are clean.
Labels:
2018,
cult,
cynthia erivo,
dakota johnson,
drew goddard,
hemsworth,
jeff bridges,
jon hamm,
mahan,
morality,
movie,
noir,
review,
spaeny,
thriller
Sunday, 25 October 2015
The Martian (2015) - Movie Review
To paraphrase one of the more boisterous names in space
exploration: “Space: the final frontier”. However, something that is becoming
clearer and clearer with every day since that phrase was first uttered is that
space will always be the final
frontier. Unlike our home planet, there is an infinite amount of, well, space
outside of our atmosphere and it is expanding every second. The distance
between points of interest (stars, planets, space fog, etc.) is occupied by a
vacuum that seems to exist at the exact opposite of our ideal living
conditions, and that’s if we even have a vessel that can stay in one piece
during all that travel.
Is it any wonder, with all this in mind, that space travel and exploration is frequently used as the setting for dramas and thrillers? Sure, space combat will always be enticing, but the thought of how claustrophobic, hazardous and ultimately liberating leaving Earth for greener pastures can be has produced some truly amazing works of art, particularly in the realm of cinema. So, when director Ridley Scott decided to return to the cold void that yielded him a bona fide sci-fi classic with Alien (and a modest success with Prometheus), how did it turn out considering his last cinematic venture?
Is it any wonder, with all this in mind, that space travel and exploration is frequently used as the setting for dramas and thrillers? Sure, space combat will always be enticing, but the thought of how claustrophobic, hazardous and ultimately liberating leaving Earth for greener pastures can be has produced some truly amazing works of art, particularly in the realm of cinema. So, when director Ridley Scott decided to return to the cold void that yielded him a bona fide sci-fi classic with Alien (and a modest success with Prometheus), how did it turn out considering his last cinematic venture?
Labels:
2015,
chastain,
childish gambino,
chiwetel,
damon,
daniels,
drew goddard,
kate mara,
mahan,
mars,
michael pena,
movie,
review,
ridley scott,
sci-fi,
sean bean,
sebastian stan,
space,
wiig
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