Bloodshot (2020) - Movie Review

I don’t usually make predictions about what the film industry is going to look like in however-many years’ time, namely because it’s tricky enough judging what’s right in front of me, let alone what could possibly be next. However, this one feels like a decent bet: Filmgoers should make themselves familiar with Blur Studio, because they’re where the next wave of prospective big-timers are going to come from.

Bird Box (2018) - Movie Review

  

It’s a little too easy to just cut to the chase and see this as an attempt to cash in on A Quiet Place. Atmospheric horror tied directly to one of the human senses, with heavy emphasis on parenthood through the characters; the ties exist, is all I’m saying. But more so than that, this concept feels like someone looked at The Happening and went “Okay, there has to be a way to do this story without it being completely stupid.” A mysterious force is making the human population commit suicide, and the few that remain have to try and survive without getting exposed to that force. It’s an idea that honestly is worth trying to make palatable, and the attempt made here ain’t half bad.

Arrival (2016) - Movie Review

This might have the single weirdest initial expectation of any film I’ve covered on this blog so far, based purely on the people behind the scenes. On one hand, you got director Denis Villeneuve, one of the greatest filmmakers working today who specialises in digging deep into the murky guts of humanity to create genuine works of art. On the other, you have writer Eric Heisserer who, aside from penning the woefully unnecessary Nightmare On Elm Street remake, also wrote this year’s winner for “No, I’m still not over this piece of shit” Lights Out. Conflicting opinions is putting it mildly. Then again, the big failing with Lights Out wasn’t exactly the writing, but more the director’s unwillingness to accept the far darker aspects of the themes involved. Anyone who has sat through Villeneuve’s recent works like Prisoners and Sicario will know that he can do no such thing. To make matters even weirder, what really makes this film stand out ultimately has nothing to do with explorations of morality or even getting into properly dark territory. Why did I bring it up then? Because sometimes, even if we want to argue otherwise, expectations don’t mean a damn thing.