The plot: Romantic cynics Mel (Madeleine Sami) and Jen (Jackie Van Beek) run an agency called the Breaker Upperers, where they help people break up with their partners without any lingering connections. However, when they agree to help young Jordan (James Rolleston) break up with his girlfriend Sepa (Ana Scotney), Mel finds herself falling for him. As the two try to deal with Mel breaking one of the fundamental rules of their work, to not get involved with clients, they will also question why they got into this line of work in the first place.
Showing posts with label jemaine clement. Show all posts
Showing posts with label jemaine clement. Show all posts
Friday, 3 August 2018
The Breaker Upperers (2018) - Movie Review
The plot: Romantic cynics Mel (Madeleine Sami) and Jen (Jackie Van Beek) run an agency called the Breaker Upperers, where they help people break up with their partners without any lingering connections. However, when they agree to help young Jordan (James Rolleston) break up with his girlfriend Sepa (Ana Scotney), Mel finds herself falling for him. As the two try to deal with Mel breaking one of the fundamental rules of their work, to not get involved with clients, they will also question why they got into this line of work in the first place.
Saturday, 31 December 2016
Moana (2016) - Movie Review
Before the House of Mouse brought Marvel and Star Wars into
their collective fold, they had already proven their worth for rather shrewd
business ideas with the Disney Princess canon. Taking what is essentially their
most iconic characters and bringing them under a single banner has led to a lot
of hot debating over the worth of both the label and the characters that fall
within it. Now, this has resulted in more than a few feminist critiques over
how these characters work as people to aspire to be, and there are certainly
some problematic instances under that umbrella, but that’s not exactly my field
of discussion. Besides, as a man, my opinion concerning who is an appropriate
female role model would just end up being discarded before I even start
talking.
I don’t claim to have sat through all of the films in the canon, but I’ve seen enough to know that there are some good (Mulan), bad (Snow White) and everything in between when it comes to assertion. So, with this latest inclusion within the canon (that I’m sure will debated until the end of days as to whether it even counts as part of the Princess Line), I’ll admit that I’m interested to see where this studio will go next.
I don’t claim to have sat through all of the films in the canon, but I’ve seen enough to know that there are some good (Mulan), bad (Snow White) and everything in between when it comes to assertion. So, with this latest inclusion within the canon (that I’m sure will debated until the end of days as to whether it even counts as part of the Princess Line), I’ll admit that I’m interested to see where this studio will go next.
Monday, 15 August 2016
The BFG (2016) - Movie Review
Steven Spielberg is one of those filmmakers that downright
demands attention, although not for reasons you may think. Sure, he’s the guy
largely responsible for the modern-day blockbuster and has helped shape
American cinema into what it is today, but in the last few years, it seems like
the guy has kicked into a higher gear. Along with working with alarming
regularity for a filmmaker of his stature, releasing five films in as many
years, he has also taken to collaborating with some pretty high-profile names
during that time. Between working with Peter Jackson along with some of the
biggest names in British screenwriting on The Adventures Of Tintin, putting a
script written by legendary playwright Tony Kushner to the screen with Lincoln
or bringing in the Coen brothers to help polish up last year’s excellent Bridge Of Spies, he seems to be a magnet for big-name talent behind the scenes right
now. And keeping up with that pattern, he has brought a bunch of his regular
teammates to make a big-budget version of a story by Roald Dahl, responsible
for Matilda, Charlie And The Chocolate Factory and The Witches, among many
other classics. So, with all this hype behind it, how does it hold up?
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