2019 will likely go down as the year where Disney stretched
too far, and I’m not just talking about their ever-growing monopoly on modern
Western entertainment. What started out as interesting experiments to redefine
their stable of animated classics (or, more likely, extend their copyright
holding for said stories) has truly devolved into a collection of repeated and
bewildering mistakes. Of the three that made it to cinemas this year, only one of them left me with anything positive to say, and even then, it has paled
considerably since I first reviewed it.
