Well, this certainly makes for a change of pace. Ben
Mendelsohn, an actor I’ve covered numerous times before on here depicting some
of the worst kinds of people imaginable, has taken a step into mid-life crisis
dramedy. Not gonna lie, after seeing him in Una, I don’t think it’s even
possible to see Mendelsohn on-screen without a rolling chill down the spine.
But it’s because of these very situations that typecasting
is understood as such a negative practice, and it’s not like anyone really
wants to be most associated with the power-hungry, callous and fucking
despicable characters Mendelsohn is mainly known for these days. So, really,
seeing him in a different setting should turn out to be a good thing,
especially since it seems to be a really damn good fit for him.
