Showing posts with label relationships. Show all posts
Showing posts with label relationships. Show all posts

Saturday, 24 August 2019

Miss Freelance (2019) - Short Film Review



Miss Freelance, the latest short from budding filmmaker Matthew Kyle Levine, is a cold and hardened look at relationships. We follow Maddy Murphy’s Carly, an escort in New York City, as she bounces between johns, letting the buzzing rumble of the city ring through in the background. It takes a page out of works like Steven Soderbergh’s The Girlfriend Experience in how it creates a moody and unglamourised depiction of the work involved, one that ends up unearthing a lot of truths in regards to any kind of relationship, whether money changes hands or not.

Carly’s encounter with her partner Ben, played by Timothy J. Cox, is where the major truths come out in the open. While Ben feels neglected in their relationship, Carly feels that what they have together isn’t “real”. With her johns, they often save up money just to afford time with her, showing that they care about the time they spend together. It shows quite a bit about how validation plays into relationship dynamics, with happiness being the result of both parties giving as much as they take, and it’s something that Carly feels more strongly with her work than her off-hours time.

It packs in a lot of quiet contemplation in just under 20 minutes, letting Levine and Alex Scarlatos’ visuals and editing do most of the talking, and it makes for a pretty sombre viewing experience. It’s the kind of short that unravels in the mind after first viewing, as I admit that I find myself questioning the relationships in my own life in response to the tango of money and intimacy that is given here.
Miss Freelance from Matthew Kyle Levine on Vimeo.

Monday, 16 November 2015

The Lobster (2015) - Movie Review



I’ve talked before about the high-conceptuality of speculative fiction, but as much as I like it when filmmakers indulge in their more bonkers side, it is perfectly understandable if it repels other, more discerning film-goers away. Even if My Little Pony doesn’t get the same knee-jerk reaction out of me these days as it used to, a certain level of self-awareness is required so as to understand why other people may see you as… odd, to say the least, for watching it. For all our talk about not judging books by their covers, every so often there will be a film that sounds too out there for audiences to apparently take. This is one such occasion, and I will freely admit that the premise had me sceptical about its efficacy as well… then again, I’m sceptical about pretty much every release these days, so this is nothing new. However, I can only hope that by this review’s end, I will have converted at least some people on seeing this film because it deserves to be watched.