The latest from Greek director Yorgos Lanthimos, while it
lacks his attachment to the script as well as the involvement of his go-to DOP
Thimios Bakatakis, operates within his usual realms of all things quietly
insane. A costume drama set in the early 18th century, involving a
battle for the favour of Queen Anne (played superbly by Olivia Colman) between
cousins Abigail (Emma Stone in rare, vengeful form) and Sarah (Rachel Weisz
apparently trying to redeem herself for her last attempt at romantic period drama). It marks the most easily-digestible film Yorgos
has made yet, meaning that I’m not going to be wallowing in a critical malaise
trying to figure this shit out like last time. It also means I get to talk about one of the funniest films I’ve seen
all year without any cerebral hang-ups.
Showing posts with label weisz. Show all posts
Showing posts with label weisz. Show all posts
Saturday, 29 December 2018
The Favourite (2018) - Movie Review
The latest from Greek director Yorgos Lanthimos, while it
lacks his attachment to the script as well as the involvement of his go-to DOP
Thimios Bakatakis, operates within his usual realms of all things quietly
insane. A costume drama set in the early 18th century, involving a
battle for the favour of Queen Anne (played superbly by Olivia Colman) between
cousins Abigail (Emma Stone in rare, vengeful form) and Sarah (Rachel Weisz
apparently trying to redeem herself for her last attempt at romantic period drama). It marks the most easily-digestible film Yorgos
has made yet, meaning that I’m not going to be wallowing in a critical malaise
trying to figure this shit out like last time. It also means I get to talk about one of the funniest films I’ve seen
all year without any cerebral hang-ups.Wednesday, 21 June 2017
My Cousin Rachel (2017) - Movie Review
Oh, this is going to be a tough one to talk about. What
makes that statement weird though, considering I’ve reviewed a wide spectrum of
releases on this blog before, is that it isn’t even for any of the obvious
reasons. I’ve mentioned how old-timey costume dramas really aren’t my thing for
some reason, and writing about them isn’t something I find easy, but that’s not
it. I’ve shown a certain verging-on-dickishness when discussing
feminist-centric notions, something that makes those topics not exactly my
favourite thing to talk about, but that’s not it either.
Today’s film is a
story involving incest between cousins, and to cut a potentially long and
aggravating story short, I found out rather recently that apparently people
still need to be convinced that incest isn’t exactly the most ideal thing to be
doing with one's time. And yet, even that
isn’t why this is going to be a tough review to get out there. Rather, it’s
because when all three of these areas intersect with this film’s approach to
framing its story, it results in a very all-over-the-place kind of production.
Let’s get started and, hopefully, I’ll be able to explain why.
Sunday, 27 November 2016
The Light Between Oceans (2016) - Movie Review
Labels:
2016,
australia,
bryan brown,
custody,
drama,
fassbender,
jack thompson,
lucy-grace,
mahan,
movie,
review,
romance,
vikander,
weisz
Monday, 16 November 2015
The Lobster (2015) - Movie Review
I’ve talked before about the high-conceptuality of
speculative fiction, but as much as I like it when filmmakers indulge in their more bonkers side, it is perfectly
understandable if it repels other, more discerning film-goers away. Even if My
Little Pony doesn’t get the same knee-jerk reaction out of me these days as it
used to, a certain level of self-awareness is required so as to understand why
other people may see you as… odd, to say the least, for watching it. For all
our talk about not judging books by their covers, every so often there will be
a film that sounds too out there for audiences to apparently take. This is one
such occasion, and I will freely admit that the premise had me sceptical about
its efficacy as well… then again, I’m sceptical about pretty much every release
these days, so this is nothing new. However, I can only hope that by this
review’s end, I will have converted at least some people on seeing this film
because it deserves to be watched.
Labels:
2015,
ashley jensen,
bisexuality,
colin farrell,
comedy,
drama,
dystopia,
john c reilly,
mahan,
movie,
olivia colman,
relationships,
review,
sci-fi,
sexual politics,
seydoux,
weisz,
whishaw
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