Then Came You (2021) - Movie Review

Apparently, casting directors have taken to throwing darts at a mass of random names, because that’s the only explanation I can think of for that supposed triple-bill (I say “supposed” because Hurley gets about 5 minutes of total screen-time). This reads more like generations-removed fanfiction, pairing two talk show hosts in a romantic story, and if it weren’t for the fact that Kathie Lee also wrote this, I would be asking what she’s even doing here. Admittedly, I’m still asking that, after having seen the bloody thing, but you get my point.

Working Class Boy (2018) - Movie Review

The plot (such as it is): Born in Glasgow, Scotland, James Dixon Swan grew up surrounded by a hostile environment and a highly volatile family unit. However, when his mother moves the family from Scotland to Adelaide, Western Australia, the young James began the path that lead him to becoming an artist that would captivate audiences all over the world: Jimmy Barnes.

Macbeth (2015) - Movie Review

Shakespeare is far and away the most adapted writer in human history, which makes the prospect of reviewing one of the thousand films based on his work a little daunting. Not only that, as much as some scholars would eagerly wish to argue, the man’s work is full of notoriously intricate language that can prove rather difficult to read. As someone who has a serious habit of comparing films to each other, even when it isn’t called for, how am I to know whether or not the supposedly 'fresh' ideas presented in one adaptation haven’t already been made cornerstones of the work previously? Is there nearly enough time in the world for me to spool through every work just to be sure? Is it even worth me doing so in the first place? This is where I come face-to-face with the reason I started this blog in the first place: To learn. I have never made any pretence about my own knowledge involving the medium: Everything I claim to know about film, I have learnt in passing and I am by no means a definitive voice on anything except my own personal tastes and opinions.

So, with that unnaturally heavy introduction to another one of my typically idiosyncratic and scatterbrained analyses out of the way, time to get into today’s film.