Creed III (2023) - Movie Review

I can’t remember the last time a sports movie got me this worked. Hell, I’m not even sure there was a ‘last time’ for the effect this left on me. In real life, I’m quite comfortable in my pudgy lion-bear physique and look, but coming out of the cinema for this, I felt jacked. Like I just climbed those famous Philly stairs and was ready to throw down in the ring. Having sat through all the Rocky films thus far, along with the previous two Creed films… I can’t recall any of them giving me this kind of endorphin rush before.

Thor: Love And Thunder (2022) - Movie Review

After languishing as the dark horse of the main four Avengers of the MCU, Thor seems to have found a firm footing and identity thanks to director Taika Waititi. Namely, that he is the comic relief of the team. This has admittedly been a thing with him since the Kenneth Branagh film, but with Taika’s unique brand of social cringe, it effectively smoothed itself out and made for a high point of the already-impressive Phase Three with Thor: Ragnarok. Naturally, much like Christopher McQuarrie sticking around for the more recent Mission: Impossible films, bringing him back for another trip with the space Viking is a good move. And sure enough, it’s most certainly a Taika Waititi film… although I wouldn’t particularly blame certain audiences for wishing it was more than that.

Men In Black: International (2019) - Movie Review

There are a lot of different forms of bad movie out there. Some are obvious, some take time before the true problems come forward, and some start out as good ideas that, for one reason or another, sour into what becomes the final product. I’ve no doubt covered all three of these varieties in past reviews, and as much as outright, unmistakable shite can be quite painful to sit through, it’s the latter that always ends up feeling the worst: The movies where I can see something much better buried underneath.

Knowing the patchy history of the Men In Black films, this latest entry failing to perform shouldn’t be much surprise, given we have one solid film (1), one mediocre film (2) and one that people mostly didn’t like if they even cared to remember it existed (3). But all the same, this kind of compromised art still hurts to witness for one’s self.

Annihilation (2018) - Movie Review

 

Watching Alex Garland’s evolution as a creative mind over the last two decades has proven quite fascinating, to the point where ‘evolution’ is the most apt way of describing his trajectory. Starting as a novelist, providing source material for one of Danny Boyle’s most underrated films with The Beach, he went on to collaborate with Boyle more directly, writing the scripts for some of his more widely-celebrated ventures like 28 Days Later. Then he set out to bring his own scripts to life with Ex Machina, one of the strongest sci-fi offerings of the last handful of years.

But this film, Annihilation, is the final test. He’s proven that he can write for multiple media forms, from novels to screenplays to video games, and he’s proven that he’s capable of visual storytelling on top of that. Now, it’s time to see if he can turn the work of someone else, in this case being Jeff VanderMeer’s novel of the same name, into a story that still carries his fingerprint.

Sorry To Bother You (2018) - Movie Review

There’s something about the outright absurd that serves as a great communicative tool. All the things that people are unwilling or unable to accept about their society or their reality; just throw in some weird shit, and suddenly, it becomes easier to swallow. The filmmaking debut of Boots Riley, renowned figurehead of the weirder side of West Coast hip-hop, follows this pattern, a depiction of modern-day race relations in a similar vein to Jordan Peele’s Get Out. Not that this is as scary as that offering (far from it, this is an actual comedy, unlike whatever the hell people thought Get Out was); rather, it uses an absurdist’s eye for science fiction to make its point. And oddly enough, it’s a fairly similar point.

Thor: Ragnarok (2017) - Movie Review

I never thought I would get to this point but I think I’m starting to get burnt out on all these Marvel movies. I’ve mentioned before how much I love superhero and comic book inspired films, and I still stand by all of that, but as more time passes, I’m beginning to realize that my zeal to see these films in the cinema has severely diminished. Yeah, I’ve still seen all of the MCU to date, but I ended up getting to some of them like Captain America: Civil War and Spider-Man: Homecoming far later than I would have expected. Whether it’s down to the sheer volume of releases per year, the fact that all of them are interconnected so that they all need to be seen to get the full experience, or just down to me discovering other sub-genres that interest me more, some part of my subconscious is hesitant to keep seeing these. Not that it should be; I mean, Guardians Of The Galaxy Vol. 2 is still an astounding work, Homecoming gave us the first real Spider-Man movie and even Doctor Strange has some of the greatest effects work I’ve ever seen full stop.

 

So, yeah, maybe it’s less that I’m losing my love for these films and more that they are starting to feel more like work. No change there then, honestly. Anyway, enough waffle; time to get into this latest MCU offering that seems to be taking the franchise in a different direction. A very weird direction.

War On Everyone (2016) - Movie Review

Dope (2015) - Movie Review

 

It was inevitable that I’d come across a film like this during my December endurance run. I wasn’t expecting this to be the first time I’d officially run into it this year, though. With how many new releases come out and the different opinions on each one, there will undoubtedly be films that I disagree with the consensus on. In fact, come January, you’ll see just how many I disagreed with others on. However, prior to today’s subject, I’ve always gotten on the defensive: Excusing Jupiter Ascending’s sheer idiocy because it transcended into the realms of unintentional comedy gold, forgiving The Transporter Refueled as I genuinely think that series has gotten a bad rap overall, and pretty much any new films involving Adam Sandler since, at this rate, the hate for him is getting really dull by now. Here, I find myself looking at the product presented and going "What was so great about that?"

Dear White People (2015) - Movie Review