Dark Waters (2020) - Movie Review

Hope you’re all ready to be horrified, sad, and fucking furious today, because we’ve got a whopper of a real-life dramatisation to talk about right here. Following in the footsteps of his righteous turn in the scathing exposé Spotlight, star and producer Mark Ruffalo is once again playing a man taking the fight to a large-scale conspiracy, one that starts out in a little pocket of rural Americana but then reveals its tendrils all over the world. However, rather than systemic cover-up of sexual abuse, this film deals in something that might outweigh even that in terms of genuinely hideous behaviour: A chemical manufacturer who wilfully contaminated a vast majority of American citizens, and by extension a hefty amount of the global population.

Carol (2016) - Movie Review

It’s Oscar season again, which means that it’s time to buy that new case of Burn Out Repellent that will no doubt be needed. However, unlike last year where we were awash with World War II-era films that I’m positive will pop up later on this year regardless, it seems that the consensus for the Academy has shifted. And no, this isn’t an easy set-up for the current racial issues being brought up about this year’s Oscars; as I have stated before, the Academy ultimately doesn’t matter, so whatever in-house drama is going down follows the same fashion. Instead, I’m talking about how, since the decision to legalise gay marriage nation-wide in the U.S., it seems that quite a few of the more prestige releases are shifting towards romances that aren’t in the cis norm. Between Freeheld from late last year, The Danish Girl from last week, and the generally warm reception that was made towards films like Tangerine and The Duke Of Burgundy, I think it’s an easy bet that this type of film is going to be the current flavour for a while longer. I can only hope that the rest of the crop will fare better than this, however.