In no uncertain terms, I don’t have the will nor the
intestinal fortitude to ever consider joining the military. I’m a proper soft
lefty that sees all life as sacred and not worth ending over what are usually
rather petty squabbles, and the very thought of killing another person for any
reason makes me incredibly uneasy. However, that doesn’t mean that I hold any
ill will towards those who fight in my place. I may have my issues with the
higher-ups who send them out, usually for the reasons why certain governments
see fit to get involved in war, but I have nothing but respect for those who do
the fighting themselves. Not that cinema seems to share that respect, though,
as more times than not, modern military cinema goes for the murky and
moralistic approach that is meant to make us question just whose lives are
being affected, be it through death or otherwise. So, with noted firebrand Mel
Gibson returning to the director’s chair, how does today’s war film turn out?
Showing posts with label weaving. Show all posts
Showing posts with label weaving. Show all posts
Friday, 25 November 2016
Hacksaw Ridge (2016) - Movie Review
Labels:
2016,
action,
andrew garfield,
bracey,
christian,
drama,
mahan,
mel gibson,
movie,
review,
roxburgh,
ryan corr,
sam worthington,
teresa palmer,
vince vaughn,
war,
weaving
Thursday, 12 November 2015
The Dressmaker (2015) - Movie Review
I hate the term ‘chick flick’. Like, really hate the term. Not only does it bank on the idea that women
only want a very select number of elements in their entertainment, which is
pretty damn regressive, but it is also primarily used as a put-down by critics,
as if what women presumably want to watch is something to inherently be ashamed
of. I’ve discussed films that fit into this category before, specifically
romantic shlock like The Best Of Me, but it seems like the term really doesn’t
have much reason to be used nowadays. I’ll wait until the release of the
Expendabelles before I feel the need for any official eulogy for the term, but
gender shouldn’t qualify as a defining factor when it comes to what film is
meant to interest a person. Or maybe this is just my fence-sitting naivety
shining through once again, I don’t know. Anyway, I bring this all up because
this film supposedly counts as a
chick flick. I say "supposedly" because I’m still not entirely sure who this film
is meant to appeal to, if anyone at all.
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