Yep, there’s two
films about Tokyo’s Suicide Forest that got a release this year. I know that
the studio system tends to release similar films around the same time, but even
still, this is an incredibly niche thing to make even a single film about, let
alone two. That said, my reasoning for looking at both of those films today
should be fairly obvious, considering how underwhelming Sea Of Trees turned out. Add to that how this is going to be a supernatural horror film,
rather than the bland melodrama we got last time, and I’m willing to
give this idea another go. So, is this going to make proper use of the concept
or, by some anti-miracle, is this going to turn out even worse? Ugh. Let’s just
get into this thing already before the lack of engagement makes me pass out.
The plot: Sara (Natalie Dorner) receives a phone call from
the Japanese police that her twin sister Jess has gone missing in the
Aokigahara Forest. Somehow sensing that she hasn’t died yet, she makes her way
to Tokyo to try and find her with the help of travelling journalist Aiden
(Taylor Kinney) and off-the-books local guide Michi (Yukiyoshi Ozawa). However,
once they make their way into the forest, it seems that the place’s notorious
reputation is the least of their worries.
Man, Natalie Dorner sucks in this thing, which ends up being
a far greater problem than it reasonably should be because she has been
dual-cast as the twin sisters. No matter what creepy stuff happens to her,
Dorner’s expressions never seem to fit the situation and seem like she’s more
bored than anything else. Not only that, she barely even registers as a real
character in her own right, which makes the concept of her playing two of them seem a bit overreaching. As
such, the only real signifier that these are even two different characters is
their different hair colour; yeah, always a good idea to go with anime rules
for identifying the characters that are the main source of drama in the film. When their relationship is meant to fuel
the plot this much, having her be this unconvincing when the two girls are on
screen (or even on their own) is not a good thing. On top of that, Kinney is
just okay as the male lead and does a passable job as the conflicting
personalities that he’s given, and Ozawa… exists, I guess; not much more to say
than that.
The pacing is incredibly sluggish, taking its sweet-ass time
to get to the titular Forest and not just setting up what is honestly a pretty
basic premise in the first place. It starts out on a really foul note with a
literally incoherent opening which gives the impression that Sara took a flight
to Tokyo because she had a bad dream. Okay, the film does clear that up and
give her a better rationalisation for it, but that’s definitely telling that
the filmmakers end up making what is frankly an amateur mistake. It then
proceeds to stall until the second half of this hour-and-a-half film before we
even get into the titular Forest, and not for any justifiable reasons either.
If there’s anything that this film takes its time with more
than its plot, it’s the scares. Or, more accurately, the complete lack of scares.
For the entire first half of the film, anything even remotely scary that we see
is either a jump scare caused by a character in the film on accident, a dream
sequence that has no real bearing on the plot, or both. When we actually do get
to the Forest, it is far from thrilling. I mean, Sea Of Trees made the place
look scarier than this and that was supposed to be a drama. And then there’s
how, once Sara arrives in Tokyo, she keeps getting told about what the forest’s
history is, the things that haunt it and even the effect they have on people.
For the same reason that the jump scares/dreams aren’t scary, the weirdness in
the forest isn’t scary: Because we can see it coming.
You know, as much as Sea Of Trees didn’t really know how to
use its setting, it at least showed a want
to use its setting. Here, it’s not only a story that is in no way unique to the
locale but it literally could have been set in any forest. It tries to go for psychological thrills, which kind of
fall flat because the characters going through it don’t think twice about what
they’re actually doing, not to mention that none of it making any sense. I get
that it’s supposed to make us question what we’re seeing, but there still needs
to be an internal logic to it and some form of consistency; this film has
neither, which makes anything that happens, spooky or otherwise, difficult to
take seriously. Oh, and an ending that fails to register because it relies on
the film’s middling approach to messing with the character’s heads (and the
audience’s in turn). I never thought I’d pull out the Snob card on a film like this, but if
I want to see a story from this year where characters lose their grip on reality
in a creepy forest, I’ll stick with Blair Witch, thank you very much.
All in all, this is somehow even more underwhelming than Sea Of Trees; at least that had actors being compelling as best they could. The performances, especially from Natalie Dorner, are the kind that are
usually reserved for the bottom rung of lazy horror titles, which is rather
fitting with how intent this film is keep telling us how scary it is rather
than actually showing it. Add some generic spooky forest antics and a failure
to understand how psychological horror works to the mix, and you’ve got a
criminally underwhelming scare flick.
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