John Wick may be the single most important non-superhero
action franchise still active today. While Fast & Furious and Mission:
Impossible may have the longevity and their respective fanbases, it’s hard to
argue that John Wick didn’t still have the larger impact on the landscape.
Whether it’s the fight scenes, the visual style, the kind of world-building
that puts most comic books to shame, or even just the moment when people finally started to take Keanu Reeves
seriously as an actor (even The Matrix, as popular as it remains, couldn’t
manage that), it has captured the zeitgeist in a way that very few film
franchises ever could, both past and present. And with how Chapter 2 concluded,
stakes are very high for the latest in this series to measure up to the
grandeur of what came before. To the surprise of likely very few, this film
manages to do just that and with gusto.
But what makes the action here feel as great as it does
isn’t down to any one scene, as highly memorable as pretty much all of them
are. Rather, it’s because of how they are framed. One of the biggest dramatic
moments here is when we learn a bit more about John Wick’s backstory, namely
how he even got into the world of the Continental in the first place. Through
an expertly-placed Anjelica Huston (I swear, the casting in these films is
nigh-on perfect), we see a
juxtaposition of the intense training and dedication needed to perform
something like ballet or even Greco-Roman wrestling, next to the precision
behind the gunplay fight scenes. It insists on the action being treated as a form of
art, and with how well it's executed, it's hard to argue with.
There’s also how, even with the brutality on display, the
film never makes the mistake of wallowing in its own bloodshed. For as much as
it delves into the more spiritual side of this world of assassins, it carries
enough of a sense of humour about itself that it doesn’t end up taking itself too seriously. When we’re watching thugs
get stuck with enough knives to recreate the opening to Kitchen Knightmares,
the film knows that it looks a little silly. And because it is well-aware of its own
optics, it keeps the fight scenes and even the frequent in-jokes about the
event that kick-started this franchise off very entertaining, which is a good
thing because there’s a lot of them
here, even for a John Wick entry.
Knowing that writer Derek Kolstad basically built this world
from the ground-up all on his own with the first two films, the idea of not one
but three new co-writers being
brought in did give an initial pang of worry that this would turn into a
spoiled broth situation. But honestly, I’d argue that the writing has only
gotten better here so those new writers are certainly pulling their weight. It
keeps building on the world of the Continental, adding more exotic locales to
the canon, but it also introduces a more spiritual edge to the proceedings.
Where the first film was all about introductions to this carnage-fuelled
landscape, and the second film was all about how pervasive and suffocating it
is, this delves more into classic action-flick mysticism.
John Wick’s personal journey over the space of a week (yeah,
for the uninitiated, the events of all three films thus far have taken place
over no more than a couple weeks in-universe) has led him out of the life he
once knew, dragged him back into it through happenstance, dragged him back again out of past promises, and here, he
not only has a price on his head but is cut off from any outside assistance. A
saying that keeps coming up in these films is how “rules are what separates us
from the animals”. Well, considering John Wick being separated from an animal
is what started all this, it seems like he is growing tired of playing by their
rules. And while this isn’t exactly a trilogy ender as much as just the latest
chapter of the story, things could only escalate from here.
And that, honestly, is the part that makes me really fucking
love this film. It’s not just the amazing action scenes, the terrific
performances, the mouth-watering detail put into the writing and the universe
it inhabits, but the fact that this isn’t even a real conclusion and yet I have
zero problem with that. If leaving things open-ended means we get more of what
is one of the most consistent action franchises of all time, then I am all for
it. And since we’re not only getting another sequel, a spin-off and a TV series based in this vibrant
world, but also a rumoured cross-over with Atomic Blonde… holy shit, I am so
on-board with all of this.
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