Even in the realms of cinematic remakes, this is a rather
unique ouroborosian situation. While you are quickly Googling that word, I’ll
get into why this is. Back when I looked at Slow West, I made brief mention of
the relationship between Japanese and Western cinema and here is where we crash
head-first into one of the first branches on that tree. Based on the Akira
Kurosawa classic Seven Samurai, the original Magnificent Seven is a seminal
staple of Old Hollywood and set in place an action blueprint of the rag-tag
team of characters that come together to fight a great foe that would be copied
verbatim for decades to follow. If you’ve ever watched A Bug’s Life, then you
have a pretty good idea of the formula. With that in mind, and the fact that
this is a reimagining of a remake of a definitive piece of cinema (all of which
has sprouted its own niches and sub-genres in their wake), this could prove a
tricky one. It is also, based solely on the trailer, one of the few films this
year that I have genuinely been anxious to see for myself. Time to dig in and
see how this holds up, considering this film has a lot that it needs to prove.
Showing posts with label akira kurosawa. Show all posts
Showing posts with label akira kurosawa. Show all posts
Monday, 17 October 2016
The Magnificent Seven (2016) - Movie Review
Labels:
2016,
action,
akira kurosawa,
byung-hun lee,
chris pratt,
d'onofrio,
denzel,
fuqua,
haley bennett,
hawke,
mahan,
movie,
review,
sarsgaard,
western
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