Okay, quick bit of context. Earlier in the year, I got picked up by a website called Screenhall; the guy who runs the site contacted me in the comments for one of my reviews and I started writing some reviews for them. However, it's only in the last couple weeks that I discovered something: Screenhall has kind of... vanished. Since those reviews make up part of the lists for 2017, and I don't really like the idea of just leaving all that work in the dust, I'm going to repost them here for your enjoyment. They're formatted a little differently than my usual writing, but it's still me writing them; you can decide for yourself if that's a good thing or not. So, yeah, time for some reposting, starting here with Jackie.
Showing posts with label sarsgaard. Show all posts
Showing posts with label sarsgaard. Show all posts
Wednesday, 1 November 2017
Monday, 17 October 2016
The Magnificent Seven (2016) - Movie Review
Even in the realms of cinematic remakes, this is a rather
unique ouroborosian situation. While you are quickly Googling that word, I’ll
get into why this is. Back when I looked at Slow West, I made brief mention of
the relationship between Japanese and Western cinema and here is where we crash
head-first into one of the first branches on that tree. Based on the Akira
Kurosawa classic Seven Samurai, the original Magnificent Seven is a seminal
staple of Old Hollywood and set in place an action blueprint of the rag-tag
team of characters that come together to fight a great foe that would be copied
verbatim for decades to follow. If you’ve ever watched A Bug’s Life, then you
have a pretty good idea of the formula. With that in mind, and the fact that
this is a reimagining of a remake of a definitive piece of cinema (all of which
has sprouted its own niches and sub-genres in their wake), this could prove a
tricky one. It is also, based solely on the trailer, one of the few films this
year that I have genuinely been anxious to see for myself. Time to dig in and
see how this holds up, considering this film has a lot that it needs to prove.
Labels:
2016,
action,
akira kurosawa,
byung-hun lee,
chris pratt,
d'onofrio,
denzel,
fuqua,
haley bennett,
hawke,
mahan,
movie,
review,
sarsgaard,
western
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