The Truth (2020) - Movie Review

Fabienne Dangeville (Catherine Deneuve) is the worst kind of prima donna. Endlessly vain and egotistical, she makes for one of the rare cinematic instances of the separation of art and artist from the perspective of the artist. She has a strained relationship with her daughter, writer Lumir (Juliette Binoche), but rather than being at all concerned with that strain, she just focuses even more on her acting craft. So long as the audience forgives her transgressions, that’s all that matters.

Stockholm (2019) - Movie Review

Stockholm Syndrome, much like PSTD, schizophrenia and autism, is a term that has been so consistently overused in the popular consciousness that you’d be forgiven for completely forgetting what its original meaning even was. Hell, it even makes for one of the most under-discussed on the flip-side, both in actual psychiatric academia and in how there are far too many romantic films out there that require that condition to make any bloody sense, yet never get brought up in the narrative proper.

Considering all this, this film about the incident that gave the condition its popular name could serve as a refresher for those who use it too willingly to describe real-world scenarios today. Shame it doesn’t really turn out that way, or turn out much of any way by film’s end.

Valerian And The City Of A Thousand Planets (2017) - Movie Review

Outside of Luc Besson being an idiosyncratic director (shorthand for “he has his own style that I am unable to put into words”), I don’t have anything new to say about the guy that I haven’t already said in reviews past. As such, I’ll forgo my usual introduction and just get right into this thing because I am legit excited to be talking about this movie.

The Magnificent Seven (2016) - Movie Review

Even in the realms of cinematic remakes, this is a rather unique ouroborosian situation. While you are quickly Googling that word, I’ll get into why this is. Back when I looked at Slow West, I made brief mention of the relationship between Japanese and Western cinema and here is where we crash head-first into one of the first branches on that tree. Based on the Akira Kurosawa classic Seven Samurai, the original Magnificent Seven is a seminal staple of Old Hollywood and set in place an action blueprint of the rag-tag team of characters that come together to fight a great foe that would be copied verbatim for decades to follow. If you’ve ever watched A Bug’s Life, then you have a pretty good idea of the formula. With that in mind, and the fact that this is a reimagining of a remake of a definitive piece of cinema (all of which has sprouted its own niches and sub-genres in their wake), this could prove a tricky one. It is also, based solely on the trailer, one of the few films this year that I have genuinely been anxious to see for myself. Time to dig in and see how this holds up, considering this film has a lot that it needs to prove.