Showing posts with label eliza scanlen. Show all posts
Showing posts with label eliza scanlen. Show all posts

Friday, 11 December 2020

The Devil All The Time (2020) - Movie Review


This film came recommended to me by a Twitter mutual as a palate cleanser for having sat through Hillbilly Elegy. Have to admit, this film’s been on my radar for a little while now because of just how packed its cast is (up to and including my celebrity crush Tom Holland), and while just about anything would’ve been palatable compared to whatever the hell Ron Howard was thinking, I guess this is the push I need to finally check this flick out.

Monday, 3 August 2020

Babyteeth (2020) - Movie Review



Aussie filmmaker Shannon Murphy is the latest director to make their initial step into the cinematic realm through a coming-of-age story. It’s also the latest of a thankfully-increasing number of female-focused stories in this sub-genre. Not that either of those descriptors really end up doing this work justice. One of the side effects of watching so many bloody movies is that, naturally, you’ll come across a lot of story ideas and techniques being repeated. Not out of deliberate mimicry (most of the time, at least), but because there are only so many ways to tell these kinds of stories. Enter this film, which leaves just about every other coming-of-age film in the dust.

Tuesday, 21 January 2020

Little Women (2020) - Movie Review



Time to continue with the reheated leftovers of the previous year, consisting mainly of what wasn’t good enough to be released in 2019 (hello, Dolittle) and the remainder of the Oscar nominations that didn’t fit the schedule, and we’re dealing with a legacy remake. I get the feeling that, if not reading the original classic source material, I should have at least glanced at the book’s previous adaptations. However, since there’s six pre-existing films based on this work, one of which done by PureFlix, I don’t particularly feel the need to overplay the story for myself under the pretence of doing research for the new one. I want to give this its fair chance, and after Greta Gerwig’s last success with Lady Bird, I’m more than comfortable with letting this stand on its own. Tl;dr Don’t expect any adaptation comparisons; this is strictly about this version on its own.