Showing posts with label teyonah parris. Show all posts
Showing posts with label teyonah parris. Show all posts

Saturday, 30 December 2023

They Cloned Tyrone (2023) - Movie Review

After co-writing Creed II, and getting thrown into the unholy soup that is the script for Space Jam: A New Legacy, writer Juel Taylor has made his directorial debut with one of the better Blaxploitation flips I’ve seen in a minute. Where remakes of the old guard like Shaft and Superfly felt the need to modernise the genre’s aesthetics (which only brought into question why they’d even bother getting involved in that genre in the first place), this actually sticks to its identifiable qualities, albeit with some updating on the cultural references like Obama and Bitcoin. The moody, shadowy cinematography from DP Ken Seng, the Terrace Martin-esque funk soundtrack from Desmond Murray and Pierre Charles (those basslines are just *chef’s kiss*), the frankly amazing costume design across the board; this looks really damn good.

Saturday, 9 December 2023

The Marvels (2023) - Movie Review


Judging the current state of the MCU, this film could go either way. And I’m not even factoring in the myriad of behind-the-scenes issues the franchise has run into in recent years, from Jonathan Majors going to court, to recurring audience fatigue from the extent of the MCU assembly line, to how said assembly line has grown so big that they are now running into the issue of losing in competition with themselves, given how the second season of Loki basically eclipsed this film’s release.

No, I’m just talking in regards to what Phase Five has already given us this year alone. On one hand, there’s Quantumania, a clearly derivative and bizarrely uninteresting entry that felt very made-by-committee. And on the other, there’s GOTG Vol. 3, which succeeds because it is the product of a singular vision, giving the overarching franchise a booster shot of individual creativity that seems to be increasingly lacking post-Phase Three. James Gunn isn’t the only auteur to work on the MCU (Taika Waititi, Ryan Coogler, and Sam Raimi definitely fit into that category), but Vol. 3 (in my opinion) benefited the most from having that kind of distinguishable artistic voice behind it. That Gunn has now jumped over to heading DC Films has been taken as a sign that the kind of identifiable uniqueness that Vol. 3 showed amongst its contemporaries isn’t likely to repeated by Marvel any time soon.

With all that in mind, I wasn’t sure what to expect from this. I mean, I liked the first Captain Marvel (although I’m starting to chalk that up to being familiar with Brie Larson as an actor long before that film became a talking point, which I’d wager a guess isn’t the case for the Johnny-hate-latelys that have been on her arse since), but I am also starting to run a bit ragged on the MCU myself. It’s been heading towards the continuity threshold for a while now, where everything is so interconnected that it can feel unapproachable unless you’ve done all the homework beforehand, this film being no different. Along with the first Captain Marvel, this also has ties to WandaVision, Ms. Marvel, Secret Invasion, and to a lesser extent Thor: Love And Thunder and Hawkeye. I’ll admit that I haven’t seen all of the lead-in material, and quite frankly I’ve felt less inclined to keep up with it all as the years go on, but I’m still willing to give this film a chance. And frankly, I’m glad I did.