The plot: In 1953, Joseph Stalin (Adrian McLoughlin), the leader of the Soviet union, has died. As his inner circle tries to deal with the power vacuum, Deputy General Secretary Georgy Malenkov (Jeffrey Tambor), Moscow Party Head Nikita Khrushchev (Steve Buscemi) and head of the interior ministry Lavrentiy Beria (Simon Russell Beale) begin their plans to become the new leader. However, between those who wish to live up to Stalin's legacy and those who want to replace it with their own, things are about to get chaotic in Russia.
Showing posts with label tambor. Show all posts
Showing posts with label tambor. Show all posts
Wednesday, 2 May 2018
Wednesday, 7 December 2016
Trolls (2016) - Movie Review
Well, in-between our obsession with comic book heroes and
bitching about mostly female casts in movies, we seem to have to tumbled all
the way back into the 80’s. How else do you explain the number of doll/action
figure movies we’ve gotten this year? What’s more, we seem to have latched onto
the 80’s anything-counts-as-inspiration mindset without really taking the time
and effort to properly incorporate them into something them young people today
would like. Case in point, Jem And The Holograms, which was about as jarringly
anachronistic as it gets without any bloody reason for it. Then we have today’s
subject… and if the sight of twerking trolls from the advertising didn’t turn
your stomach, then quite frankly, I need whatever industrial-strength medication
you’re on because I could certainly use it. So, yeah, I’m not expecting
anything good from this. I’ve said it before and I’ll say it again: Please
prove me wrong.
Labels:
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Friday, 18 November 2016
The Accountant (2016) - Movie Review
Some of my long(er)-time readers may have noticed that I am
not one to shy away from certain aspects of mental disorders. Specifically,
when it comes to how modern-day cinema portrays said disorders. As someone who
freely admits to using movie-watching as a form of personal therapy (less risky
to lash out at a piece of fiction than at an actual person), seeing films use
mental conditions that I personally relate to can be a big part of that. Some
films do an incredible job with them like Inside Out, Miss Peregrine’s Home For Peculiar Children and X+Y, and some can make a complete dog’s breakfast out of
it like Mommy, Love Is Now and the more recent headache of Vaxxed. Today, we have another addition to that canon, except this is
something that I don’t think exists in that great a number out there in the
larger cinematic world. And quite frankly, we need more films like this.
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