Showing posts with label tambor. Show all posts
Showing posts with label tambor. Show all posts

Wednesday, 2 May 2018

The Death Of Stalin (2018) - Movie Review


The plot: In 1953, Joseph Stalin (Adrian McLoughlin), the leader of the Soviet union, has died. As his inner circle tries to deal with the power vacuum, Deputy General Secretary Georgy Malenkov (Jeffrey Tambor), Moscow Party Head Nikita Khrushchev (Steve Buscemi) and head of the interior ministry Lavrentiy Beria (Simon Russell Beale) begin their plans to become the new leader. However, between those who wish to live up to Stalin's legacy and those who want to replace it with their own, things are about to get chaotic in Russia.

Wednesday, 7 December 2016

Trolls (2016) - Movie Review



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Well, in-between our obsession with comic book heroes and bitching about mostly female casts in movies, we seem to have to tumbled all the way back into the 80’s. How else do you explain the number of doll/action figure movies we’ve gotten this year? What’s more, we seem to have latched onto the 80’s anything-counts-as-inspiration mindset without really taking the time and effort to properly incorporate them into something them young people today would like. Case in point, Jem And The Holograms, which was about as jarringly anachronistic as it gets without any bloody reason for it. Then we have today’s subject… and if the sight of twerking trolls from the advertising didn’t turn your stomach, then quite frankly, I need whatever industrial-strength medication you’re on because I could certainly use it. So, yeah, I’m not expecting anything good from this. I’ve said it before and I’ll say it again: Please prove me wrong.

Friday, 18 November 2016

The Accountant (2016) - Movie Review



Some of my long(er)-time readers may have noticed that I am not one to shy away from certain aspects of mental disorders. Specifically, when it comes to how modern-day cinema portrays said disorders. As someone who freely admits to using movie-watching as a form of personal therapy (less risky to lash out at a piece of fiction than at an actual person), seeing films use mental conditions that I personally relate to can be a big part of that. Some films do an incredible job with them like Inside Out, Miss Peregrine’s Home For Peculiar Children and X+Y, and some can make a complete dog’s breakfast out of it like Mommy, Love Is Now and the more recent headache of Vaxxed. Today, we have another addition to that canon, except this is something that I don’t think exists in that great a number out there in the larger cinematic world. And quite frankly, we need more films like this.