Showing posts with label taron egerton. Show all posts
Showing posts with label taron egerton. Show all posts

Friday, 15 December 2023

Tetris (2023) - Movie Review

I have pretty much given up trying to anticipate anything that Jon S. Baird does. With each new release, he not only creates something that stands out wholly from anything else that’s released next to it, but even from the previous production Baird worked on. He's gone from the psychological dark comedy of Filth to the vaudeville tragedy of Stan & Ollie… to a Cold War-era political thriller wearing the skin of a corporate biopic in Tetris.

Sunday, 19 December 2021

Sing 2 (2021) - Movie Review


Well, this year’s been turning out pretty well for movie musicals, and the few talking animal movies I’ve seen this year have been consistently good… sure, let’s take a look at this feature. Although I’m not entirely sure if I need to, since this film’s marketing/trailer might be one of the worst cases of “they put all the best bits in the trailer, didn’t they?” I’ve seen in quite a while. Yes, let’s take the big emotional finale of our nearly-two-hour film, and make it the first thing most audiences will even gander at leading up to its official release; why even release it in the first place if you’re going to pull something like that?

Sunday, 9 June 2019

Rocketman (2019) - Movie Review



This is the kind of film that, for as long as it has languished in production limbo, came together through a collection of cosmic synchronicities. From producer Matthew Vaughn’s connecting with Elton John on the set of Kingsman: The Golden Circle, to director and fellow Ritchie collaborator Dexter Fletcher’s experiences batting clean-up for Bryan Singer on Bohemian Rhapsody, right down to Taron Egerton getting a shot of portraying one of Britain’s greatest musical talents as a result of having already done his music justice as part of Illumination Entertainment’s Sing.

It’s the kind of background info that ends up fuelling the hype behind this particular feature, as this is the kind of film that only comes about through pretty much everything being exactly where they need to be. It’s not a perfect film, but it’s damn near close.

Tuesday, 27 November 2018

Robin Hood (2018) - Movie Review



Why do stories get retold? In the world of cinema, the answer is obvious: The almighty dollar, something that’s easier to pinch from the audience’s pockets when a story they recognise is dangled in front of them. However, the purpose behind this particular retelling appears to be a might less cynical than all that. I mean, King Arthur: Legend Of The Sword is what ultimately got this production off the ground, and that film tanked, so this being a plain cash grab isn't the most logical conclusion to draw. But still, if not money, then why are we getting this again? Well, from the looks of things, it’s because this is a story that keeps being retold because these events continue to exist in our world.


Saturday, 14 October 2017

Kingsman: The Golden Circle (2017) - Movie Review


Freelance agent Mahan reporting in. Mission: Complete the Experiment to quantify the success rate of Hollywood cinema, in light of recent evidence that the system may be in jeopardy. Secondary objective involving target Harvey Weinstein has been handed off to field agents, and it appears to have been successful. Target has been held accountable for their actions and the flood of corroborating intel has ensured further action will be taken. Dossier for today’s objective: Kingsman, product made by Matthew Vaughn in 2014.

Thursday, 12 May 2016

Eddie The Eagle (2016) - Movie Review



Even though buddy cop action films may hold the crown for the most widely recognised clichés, they still don’t hold much of a candle to the oddity that is the inspirational sports movie. The wide-eyed innocent of the genre family, it walks this weird divide where it is often based on actual events and yet is easily one of the most fantastical forms of drama (or dramedy, as a lot of these turn out) out there. Don’t get me wrong, films like the Rocky series show that gritty realism is just as welcome in this sector of filmmaking… when they aren’t inserting helper robots and Russian super soldiers into the narrative, that is. We’ve even looked at a few of these before like Paper Planes and last year’s update of the Rocky canon with Creed; between them, we have a pretty decent spectrum of what could be expected from a film like this. Needless to say, this is very much in the former category this time, but maybe that need not be such a bad thing. This is Eddie The Eagle.

Saturday, 7 February 2015

Kingsman: The Secret Service (2015) - Movie Review


'Mark Millar' and 'movie adaptation' have a very odd relationship with each other: While the films adapted from his work are mostly good, they take a lot of liberties with the source material. Kick-Ass, through its re-writing of Big Daddy's character, completely shifted the tone of the film and made it a lot less bleak which actually worked to the film’s benefit. Wanted, save for the main character’s abilities and backstory, has pretty much nothing else to do with the original book, a definite shame given its initial premise. Since Millar and director Matthew Vaughn struck gold before with Kick-Ass, it would make sense that he would also bring his book The Secret Service to the big screen. It doesn’t hurt that Vaughn was co-plotter on the original book as well.