Spy Kids: Armageddon (2023) - Movie Review

Even before I recognised Robert Rodriguez’s name as a filmmaker, the Spy Kids series was the shit when I was a kid. The first one in particularly was largely responsible for me going through a major spy phase, getting a bunch of toy gadgets and playing mock action spy in the playground… alone… because goddamn, if you think reading my words as an adult makes me look awkward, kid-me was even worse. And the films themselves have held pretty damn well… okay, two of them have held up really well, with 3-D: Game Over having aged especially poorly thanks to the visuals and ugly-ass red-blue 3D, and All The Time In The World being just a categorical disaster that Rodriguez himself was basically strong-armed into doing thanks to Harvey Weinstein (a statement which itself has aged even worse than Game Over).

But even those films still held onto the unshakeable earnestness that RR approaches every production with. The way he wrapped up so many wrong-headed ideas in All The Time In The World with a genuine message about putting family first and doing right by your kids (made stronger by how he often makes films with his kids)… I mean, the film overall still sucks, but there’s no denying that he meant that shit.

Chicken Run: Dawn Of The Nugget (2023) - Movie Review

The idea of making a sequel to Aardman’s first feature has been floating around since that film initially came out, and considering modern trends towards legacy sequels and the like, it would make sense for them to attempt it around now. It helps that their last film, the Shaun The Sheep sequel, was bloomin’ fantastic and a high benchmark for a studio that’s already a legend in the industry. However, for both good and bad, this is quite a different clucker from the original.

Shazam! Fury Of The Gods (2023) - Movie Review

Yep. We’re doing this. I meant what I said at the end of the Smile review: I can’t keep holding onto my experience with Lights Out, and I can’t keep holding that directly against David F. Sandberg to the point of boycotting his films out of sheer pettiness. Life’s too short for that shit. So, along with recently and finally checking out the first Shazam (it’s an alright movie, but very uneven), here I am reviewing its sequel. And quite frankly, I think life’s too short to be dealing with this either.

Apollo 10 1/2: A Space Age Childhood (2022) - Movie Review

2022 seems to be the year where a lot of filmmakers got super-nostalgic and wanted to share that with their audiences. This will mark the fourth film I’ve looked at in the last twelve months involving a director dramatising their childhood, and the fifth involving a director dramatising themselves in general. Except what Richard Linklater has put together here goes further into the fictionalised side of things than his contemporaries, as it starts out with Stanley (Milo Coy) being picked out of the school yard by NASA to be part of their space program, but then reveals itself to be much less fantastical than that would imply.