The plot: As Dave gets closer to his girlfriend Samantha (Kimberly Williams-Paisley), and the Chipmunks get closer to her vicious son Miles (Josh Green), Alvin and Miles realize that if the Dave and Samantha get married, they’ll be stuck with each other. Not wanting this to happening, they take a road trip to Miami, where Dave is producing music for pop star Ashley grey (Bella Thorne), to stop him from proposing.
After being pleased about the lack of LMFAO in the last
film, imagine my chagrin at seeing RedFoo in the first scene of the film.
Sometimes, it actively feels like a film is taunting me. Other than that, this
continues the previous film’s path of downplaying the song covers and the music
in general. While kind of strange, and ultimately making the idea of another
Chipmunks movie redundant, the music is usually weak anyway so I won’t complain
too much. That said, the music here
is honestly a lot better than I was expecting. While a lot of the songs are
bland and pretty forgettable, this film totally makes up for it in a single
scene. Now, full disclosure here, the main reason I was dreading this film was
because of how badly they butchered Uptown Funk in the trailer; if you can make
that song sound bad, you’re in deep
trouble. Then the actual scene with Uptown Funk happens in the film and,
between the genuine energy on-screen and the brass-heavy instrumentation, I
actually… enjoyed myself? Yeah, probably the last thing I was expecting to
think while watching a Chipmunks film, but it happened. Based on that alone,
the music checks out with me.
This is a road trip movie, so plot isn’t important in
comparison to the set pieces that take place during it. Honestly, it’s just the
same shtick from the last three films for most of it: Alvin causes mischief,
Simon is the straight man and Theodore talks about food; set on shuffle for 90
minutes and you’re sorted. To shake things up at least a little, we have the
initially sadistic Miles, whose personality slowly disappears the more he warms
up to the Chipmunks, Bella Thorne as Ashley showing up in a couple of scenes
(and not singing, despite playing a pop star) and barely featuring the
Chippettes. Yeah, they’re hosting American Idol for most of the film, save for
the obligatory musical number at the end, and completely absent from the events
of the film. Means less flat characters to write for, so that ultimately ends
up doing the film a service.
That also means that there is more room for Agent Suggs, who
is easily the best part of the movie. Rather than just go through the film like
he’s just doing it for the pay check like David Cross did, Tony Hale gives a
Christopher Walken in The Country Bears performance and plays it dead straight.
Thanks to how well he manages with his lines, he immediately raises the mood of
every scene he’s in; he kind of makes the film worth watching just for him
alone. Oh, and to see John Waters in a cameo where they name-drop Pink
Flamingos. You know what, I’d normally question what kind of parents/kids it
would take to get that reference, but I’ll let it pass because that was
probably the funniest part of the entire film.
All in all, I can’t believe I’m about to say this but this
was actually not that bad. The music, when we actually get it, is passable and
even legitimately good in parts; good to see Mark Mothersbaugh start to redeem
himself, given what else he’s been attached to lately. The jokes are only just
above par for the series as a whole but, thanks to Agent Suggs carrying this
film on his back in his scenes, I’d almost recommend this film just to see Tony
Hale be entertainingly insane for every scene he’s in. Almost. It’s worse than Dumb & Dumber To, as this has nowhere
near the kind of comedic timing or even intellect of that film. However, since
the few good points about this film are legitimately good, this still fares
better than the anti-musical Strange Magic.
I think that Dave would propose to Samantha and lucky to have her and being apart of his life.
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