This is going to mark another first here at Mahan’s Media, as this will be the first time that I’ll be reviewing a film… that I’ve already seen. Yeah, every other time I’ve reviewed a film on here? First and, usually, only time I’ve seen it. There are occasional exceptions, like when I’m re-watching recent films in catch-up for a recent releases like with The Hunger Games or, God help me, Divergent, and that will sometimes cause that film’s placement on the lists to shift a few spots. Otherwise, I usually go through these reviews under the impression that I will probably only watch these films once and not be able to take time out of my schedule to see it again. But like I said, this will be different and give me a chance to possibly re-evaluate the film beyond what I saw in it initially. So, without further ado, let’s get started with today’s feature.
The plot: John (Mathew ‘Film Brain’ Buck), an avid LARPer, invites his friends Gavin (Harry ‘Happy Harry’ Partridge), Dom (Stuart ‘Ashens’ Ashen) and David (Rick Bush) to go to local LARPing group LordQuest for his birthday. While initially unimpressed with the far lower turnout, things start to turn gruesome as more and more of the players start turning up dead and it’s up to John and his friends to survive.
After my Freak Out review, this is going to make me sound
like a broken record, but the fact remains the same: The majority of the cast
here are friends in real life and they definitely act like it in this film. The
change up this time around is that their ribbing is peppered with that British
flavour of snark, so their banter isn’t nearly as friendly in areas. Let’s go
through the cast then. Buck is a bit whiny honestly, and the fact that he’s
given the bulk of the dramatic load with this one kind of makes that worse, but
I’ll give him credit for one really potent burst of anger near the end. Bush
gets a lot of mileage as the more oversexed and prickish of the group, and given his major
film background (read: directing porn), that is hardly surprising. Partridge
may be my favourite character, as he seems like the one who most actively
questions what is going on, and basically acts as the reaction button for most
scenes which he does superbly. Ashen definitely comes out the funniest, as the
man has always had a very natural way with words (even if they aren’t his own)
that he built up on his own videos and he comes across very lively as a result.
Lawrence ‘MasakoX’ Simpson gets some nice banter with Partridge in one scene,
but otherwise comes across uncomfortably close to Buck in terms of pure
weenieness.
Even though the credits list Mike Jeavons as solo writer and
director, he’s made it no secret that this is more of a collaborative process
than the credits would let on. Particularly, Welshy helped a lot with the
writing and direction and Bush did some direction as well along with helping with the camerawork and lighting. Knowing this on my second time through,
it makes sense than Welshy had his hand in the scripting because there is a
definite Scream vibe coming from this film. Not necessarily in terms of the
genre subversion, as this is a far more goofy rendition of a satirical slasher
film; more in terms of how the cloaked killer is written. There’s also
something about the finger-wagging he does in a couple of scenes that feels
pretty close to Ghostface. As for the bulk of the writing itself, the want to
subvert the slasher genre comes across loud and clear. Too loud and too clear at
times, to the point where clichés are verbally brought up as something to
avoid. Don’t get me wrong, the characters are written pretty well, especially
with Partridge's character (yeah, forgive me if I don’t mention these people by
character; their online personas are too well-fitted in my brain to shift them
now), but sometimes the genre-poking gets a little annoying.
And speaking of annoying, one of the biggest problems that
occurred with principle production was the weather conditions during the
outdoor shoots. Now, ignoring the low-hanging fruit that is a joke about UK
weather, you can definitely tell that the rain was an issue during the
production. From continuity issues with the amount of daylight in certain shots
to the rain flat-out hitting the mic in a few scenes, it gets a little
distracting. Then again, the Twilight/later Harry Potter filter the camera has
been put through is distracting enough, which makes the majority of scenes
taking place in a forest a little disconcerting. Okay, snarks aside, this film
actually does look decent for what is essentially a homebrew production,
something definitely helped by the soundtrack. The score is split up between
public domain audio courtesy of Kevin McLeod, who is essentially god in terms
of providing audio for these kinds of productions, and original work by
prolific composer Michael ‘Skitch’ Schiciano. I’m not entirely sure who it is
to thank for one particular moment, considering the work it would take to
fact-check it with the McLeod library, but whoever it was that made what is
essentially a sinister version of Pop Goes The Weasel that is heard in a
certain scene: You are amazing.
Welshy’s writing is worth bringing up alongside MikeJ
because his words when it comes to the approach with the script are kind of
important in the grand scheme of things. He mentioned in the film’s
retrospective Q&A as well as the commentary (both included on the DVD) that
he modelled his plot development after that of the works of Simon Pegg and
Edgar Wright, particularly the Three Flavours Cornetto trilogy (or duology,
given The World’s End wasn’t out yet). Looking back on it, you can definitely
tell that they put some work into that same brand of foreshadowing where they
will flat-out tell you the plot and you still
won’t get it. I won’t spoil how, but there’s a point early on that spells out
who is behind all this. And since we’re already inching close to spoiler
territory, might as well nudge it a little further because probably this film’s
biggest issue has to do with the big reveal of the killer behind everything.
Without getting into heavy spoilers, yes it’s one of the LARPers who has
officially taken the idea of battling far too seriously. Now, this strikes me
as a bit odd because you know what this plot reminds me of? A LARPing session
that goes wrong and someone ends up taking their pastime to levels that were
never intended; the last thing I should be reminded of is Maze And Monsters, a
film that was expressly made to demonise Dungeons & Dragons. I know full well
that nobody involved in this intended for anything remotely close to that, but that
doesn’t shake the connotations of obsession with role-playing leading to murder
that this film shares with that unintentionally hilarious early role for Tom
Hanks.
All in all, this movie is about 65 minutes long; it’s not as
if this has a lot of time to faff around. Indeed it doesn’t, as the writing
does feel relatively tight and the production qualities, while not ideal, do
have an aesthetic feel that makes some of the drippier moments tolerable.
Honestly, the big thing holding me back in liking it is that it keeps giving me
flashbacks to Pardieu the Holy Man with how the plot unravels near the end. Even
with that in mind though, honestly, it’s worth the buy just to see some very
funny people bouncing off of each other on film; it’s entertaining enough to
warrant its own existence.
No comments:
Post a Comment